There is more than one Egypt. There is the Egypt of reality and dreams, a realm of impossible nostalgia, a sandblown land cut by the mightiest of rivers, ancient and enigmatic, the days swirling with the dust of millennia, the nights thick with the accumulated echoes of countless generations, alluring, exotic, often arcane, a focus of desire for generations of archaeologists. But parallel Egypts exist too, more sinister and even more mysterious, where pyramids are inverted and every object that can be mummified will be. Some of these alternative Egypts might be found inside our heads, others will transform those heads into geometrical travesties of themselves. Egypt is a multiplicity, an infinite layering of secrets.
Rhys Hughes began writing from an early age. His first book, Worming the Harpy, was published in 1995 by Tartarus Press, and since then he has published more than fifty other books and his fiction has been translated into twelve languages. His work encompasses genres as diverse as fantasy, gothic, experimental, science fiction, magic realism, comedy, absurdism, thrillers and westerns, and he is known for his invention, imagination and wordplay. He recently completed an ambitious project that involved writing exactly one thousand linked short stories. He also writes plays, poems and articles.
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